If writing has felt heavy lately, it might not be because you’ve lost your voice. It might just be because you’ve been trying to carry it on your own. So gather a few people. Bring whatever words you have. Bring pizza if that helps.

It’s National Pizza Day (9 February 2026), and yes — the Scribbly team loves pizza. Nearly as much as coffee.
It arrives late. The cheese distribution is questionable. The napkins are nowhere to be found (again). And still? Everyone’s happy.
There are notebooks on the table. A couple of laptops. Pens without lids. One of us hasn’t written a word yet. Another had crossed out half a page so hard the paper tore.
Not because anyone was ready.
Not because anyone had a plan.
But because no one was pretending.
No one suddenly becomes a better writer in an hour. There’s something disarming about pizza. It’s not trying to impress anyone. It doesn’t demand ceremony. You eat it with your hands. You share it without thinking. You accept that it’s uneven and still good.
Writing can be like that — if we let it. But most of us don’t. We polish too early. We judge before the work has found its shape. We try to make something worthy before it’s even alive.
And alone, that pressure gets loud.
I’ve been around writers long enough to know the myth we keep swallowing.
That writing is meant to be solitary.
That the serious work happens alone.
That if you need company, you’re doing it wrong.
But I’ve never seen good writing begin with isolation. I’ve seen it begin with conversation. With half-sentences. With someone saying, “This might be stupid, but—” and another person leaning in instead of away.
When you write together (and especially with pizza), permission changes. You have permission to write badly, to laugh at a line that didn’t land and to stop explaining yourself.
Someone reads a paragraph out loud and shrugs. Someone else says, “I liked that bit.” That is enough. The writer keeps going.
That’s how momentum works. Quiet. Ordinary. Unimpressive — until you look back and realise something shifted.
Community doesn’t make the work smaller. It makes it possible.
When you write alongside others, you stop mistaking struggle for failure. You see doubt on other faces and realise it isn’t a personal flaw — it’s part of the deal.
You don’t borrow ideas. You borrow courage.
We talk a lot about discipline in writing. About grit. About pushing through. But I think we underestimate something simpler.
Most writers don’t need more toughness. They need less loneliness.
They need a table. A pen. A bit of permission to be unfinished in front of someone else.
If writing has felt heavy lately, it might not be because you’ve lost your voice. It might just be because you’ve been trying to carry it on your own. So gather a few people. Bring whatever words you have. Bring pizza if that helps.
Let the writing be uneven.
Let it be shared too early.
Let it be human.
That’s where stories tend to start — not polished, not perfect, but alive.
